Notebook : a Journey in Freytag’s Pyramid

Published date
2016
Resource type
Publisher
Research committee, Albert Laurence School of Communication Arts, Assumption University
ISBN
ISSN
DOI
Call no.
Other identifier(s)
Edition
Copyrighted date
Language
eng
File type
application/pdf
Extent
3 pages
Other title(s)
Advisor
Other Contributor(s)
Citation
The 2nd CA Creative Work Faculty Showcase 2016 "Sufficiency", 122-124
Degree name
Degree level
Degree discipline
Degree department
Degree grantor
Abstract
Table of contents
Description
In 1863, Gustav Freytag analyzed Aristotle’s theory of tragedy and found patterns that classic novels had in com- mon, which were 1) Exposition: the set up of the story, 2) Inciting Incident: the first conflict that riggers the story intensity, 3) Rising Action: the conflict gets more omplicated, 4) Climax: the highest tension of the story, 5) Falling Action: the conflict unraveled, 6) Resolution: the problem solved, and 7) Dénouement: what happens after the problem has been solved. This theory is ater known as Freytag’s Pyramid. http://www.ohio.edu/people/hartleyg/ ef/fiction/freytag.html). These plot points appear in classic tories for the likes of The Great Gatsby nd Romeo and Juliet. Every creative writ- ng student must learn this structure as the undamental of the story dramatic struc- ure. But is the structure applicable with ontemporary stories? Hence, the author would like to challenge if theory can be told in a form of fictional story. Does the classic structure work with contemporary short stories? Does it work if the ‘dead or alive’ of the protagonist that usually be the climax start in the beginning and having multiple climaxes?
punsarn.dc.description.sponsorship
Spatial Coverage
Subject(s)
Rights
This work is protected by copyright. Reproduction or distribution of the work in any format is prohibited without written permission of the copyright owner.
Access rights
Rights holder(s)
Location
View External Resources
Collections